The never ending story of Sheherazade : Iran seen by two photographers

Iran (former Persia) is a fascinating country, known to be the cradle of civilization; the country went through the twentieth century by first, having one of the most dynamic intellectual society, and then, since 1979, a closed and authoritarian religious society. Very slowly, the country opens again, offering us the opportunity to rediscover it.

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Davide Palmisano and Manuela Marchetti offer us a song for two voices. Two photographers who travel Iran in 2015 and who deliver their vision of the country. Each of their books is written in the thickness of time. Together, they revisit the history of Persia.

Davide’s book is entitled « Timeless Persia » and, following his traces, we discover Iran as a palimpsest. He looks at the successive layers that have shaped the country. He stops on materials, on networks that accumulate and become entangled. We discover a country on the move, a country that never stops. It is built and rebuilt continuously, keeping the scars of the past. It rubs constantly to the past and it becomes difficult to date the photographs, archival images come mix with contemporary views. We keep this feeling that everything has always been where it should be: a kind of cultural resilience, a resilience of shapes.

One begins to dream of Scheherazade, each page is a snippet of a tale that holds us in suspense until the next page. Large black-and-white photos on double pages take us across the country, they chant the rhythm. This is a slow time between the faster sequences, the time of the passing with the feeling of these landscapes already known. The book is completed with texts that remain ununderstandable to me, as written in Italian and Farsi, but that is part of the « journey », these unknown sounds, like the multitude of signs that are piling up on some images which we pictorially read. We are captives and when the book ends, we have to start it again… and again.

 

Manuela’s book is entitled « Sokut » meaning « silence », in Farsi. As « Timeless Persia » was noisy, or to better say sonorous with a design that varied rhythms as a traditional song, as « Sokut » is silent like these harmonics that we do not hear but create depth in melodies. Time seems to have stopped and we discover a long poem. We stop on details, private moments and places that each image slowly inscribed in us. Frames are tightened, we are looking our way in a quiet place. The persons are faceless, the only faces we see are only representations (photos, paintings, statues…). We wander anonymously in the town, a quiet town, soothed. No matter that we no longer find our way, we loose ourselves with relish, looking for freshness or a moment in the shade, to settle in calm.

Texts come punctuate the book, alternating with images. These are poems of two of the greatest Iranian poetess: Simin Behbahani and Forugh Farrokhzad. Two women who have their whole lives claimed women’s voices. And the book ends with an excerpt from « It is only sound that remains », the voice of women finally out of the silence, full of sorrows but also of hope. In that way, this book is decidedly feminist, it is a tribute to all those women who have built the country in silence.

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I’ve never really asked myself about the difference between male or female representation through the use of photography, but it is so clearly evident here with these two books. Maybe it is partially due to the fact that we are focusing on a society that is cleaved between men and women. But anyway, the combination of the two works is very interesting, Manuela and Davide evolve within a country, they can work side by side but look at things differently, tell words (or silence) differently. Although claimed as two separate and independent works, it remains true that there is a real added value to associate them to better succumb to the charm of Sheherazade and be guided in this tale of the « Thousand and One Nights ».

Timeless Persia, by Davide Palmisano. Softcover self published in 2016, 16,5 x 24 cm, 76 photos , 96 pages. Limited print run : 150 copies signed and numbered.

More info : http://dpalmisano.jimdo.com/books/

And : http://josefchladek.com/book/davide_palmisano_-_timeless_persia

Sokut, by Manuela Marchetti. Softcover self published in 2016, 21,5 x 15 cm, 35 photos, 96 pages. Limited print run : 150 copies signed and numbered.

More info : http://manuelamarchetti.jimdo.com/books/

And : http://josefchladek.com/book/manuela_marchetti_-_sokut

 


The day « she » was planted in the garden, by Yahya Dehghanpour

Forugh Farrokhzad was one of the most renowned Persian contemporary artist. Famous for her poetry, in a conservative male society, she fought all her life for the emancipation of women, matter always to the heart of her work. She had hard times, especially after her divorce when she was disallowed the right to custody of her son. Her poetry is fulfilled with her own loneliness and her difficulties to find a serene place in Iran of the 50’s and 60’s. She has also been widely acclaimed for her wonderful documentary film, in 1963, about a leprosy colony : « The house is black ». Forugh Farrokhzad died prematurely in a car accident in 1967, at the age of 32.

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The title of the book refers to her conception of « garden » which is often present in her poems amongst which, a beautiful one titled « Rebellion », about the predominance of men in the Tehran society, ending with the verses :

Come forth and release me
to the clear, pristine heights of poetry
should you allow me this flight
my rose will adorn the garden of poetry.

The metaphor of her death is her access to freedom and now, « she » was planted to adorn the garden of poetry.

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On the other side, Yahya Dehghanpour, a young photographer in 1967, already involved in the cultural life of Tehran. He will leave Iran a few years later to study photography at the San Francisco Art Institute during the 70’s and will come back in Iran where he will teach photography in various Universities, and influence numerous generations of Iranian photographers. He appears to be a major figure of Iranian photography, even if it is almost impossible to find any information about him. One of the only references is an exhibition of the series from this book, at the Silk Road Art Gallery in Tehran in 2009.

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So this book is made of an early work rediscovered recently by its author. A series made at a time when the death of Forugh Farrokhzad was a tragedy for the cultural society of Tehran, and when Yahya Dehghanpour, 25 years old, decided to document the funeral. The book shows the funeral ceremony, and the sequencing seems to show a complete series which build a particular atmosphere with various moments of tension. We follow the body through the city with emotion, a white hearse, flowers and people coming from everywhere. We are in the crowd, to share grief and sadness. Our sight becomes blurry and so are some photographs, which emphasize the dark and sad ambiance. All photographs are square with white margins, one per page with some alternating white pages, and there are three main chapters, each one introduced by a double page detail of a photo. The first part is the funeral procession in town, the second one is the arrival of the body at the cemetery and the third part is the burial and people around the grave.

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The book comes with a small accordion booklet which is the reproduction of an installation of large prints in order to identify people who wrote their names by hand in the margin. This piece of work becomes a wonderful documentation with the entire intellectual elite from Tehran, who came to pay their last tribute!

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Hardcover book, 23 x 23,5 cm, with a very sober and elegant black cover with a negative white square, and the title, the date and the name of the photographer. 95 pages with 57 black and white photos. Persian and English text by Mehran Mohajer.

Publisher site : https://www.facebook.com/ManooshPublication

Another very good review of the book : https://collectordaily.com/yahya-dehghanpour-the-day-she-was-planted-in-the-garden/

And just for pleasure her film « The house is black »