Vera y Victoria is a simple book, a book about love, but above all a refreshing book, at a time when many countries question the notion of couple, sometimes legislating toward a direction or another, about union between two people when, finally, it should only concern themselves. The notion of gender is at the heart of the work of Mar Saez and his book, smooth and subtle, gives us a tender look on the concept of couple.
When they kissed, for the first time in a park, Vera told Victoria she was transsexual. Things were said and the budding love was going to flourish in this relationship. From 2012 to 2016, Mar Saez will share the intimacy of the couple. For the two V. nothing will count but their relationship that they will live fully. With grace and elegance, we share moments of complicity of the couple: close-ups on gestures, stop on fleeting moments, loaded with emotion, Mar Saez does not stay outside the story and that is why she manages to convey her empathy. We are always very close, without ever falling into any form of voyeurism. The two young women give everything of their love, their joy, their happiness. They are one. Their respective identities are never mentioned in the book, reinforcing this impression of unity of their story, of their bodies, of their love. Transsexuality is evoked only in one image, in the middle of the book, as if to punctuate the story, but also to say that we must leave preconceived ideas elsewhere. Love has no sex, no genre, it is a particular alchemy which it would be very difficult to explain.
The quality of this work really has to do with the choice of the moments photographed. We are far from any anecdote or clichés. The story is intense and we feel it through a kind of tension that is created between the photographs. A rhythm appears between these bodies which approach each other, touching each other, moving away, then coming closer again, unable to bear the idea of being at a distance any longer. Small moments succeed the biggest, or, to better say, the more intense. The whole book is punctuated by texts, thoughts laid on paper, the need to say, to shout, their happiness to the face of the world.
The intensity of a story that, ultimately, is told, but more over lived. The book is an ellipse, it begins with entwined bodies, and ends in the same way, the story has no beginning nor end. No matter how long it will last, the story is timeless. Mar Saez opened a window for us, and now it’s time to retire, the parenthesis closes and the story goes on … or not. But this is no longer very important because we have seen moments of grace, moments of happiness, moments of joy: everybody’s ultimate quest. And a last special mention for the quality and the beauty of the black and white photography.
Published by Editions André Frère in 2016, softcover, 16,5 x 21,8 cm. 80 pages, 43 photographs in black and white.
Hortus Botanicus, one might think that everything is said in the title. This term refers to a botanical garden, and in this case, the one in Valencia – Spain, town where Rafael lives. For it to be factual, the title remains mysterious, precisely by this reference to Latin, the official language of the « plants and trees » world, although it often remains a linguistic approximation.
However, this is not to a guided tour that Rafael invites us, but rather to an imaginary journey. This work takes us back to those moments of childhood during which we slept in the grass to watch the canopy and let our imaginations wander. No way here to recognize the garden of Valencia, it is in a dream world that Rafael takes us.
To do so, he chose different methods. The first is the use of superimposed photos. Carefully cut out, the shapes in black and white, mix and recompose. We see shapes appearing and disappearing from a page to another one. We hear the sound of leaves together rustling. A tree, already seen, draws itself in the background, becomes tangled in the leaves of another to create a mutant species that remains to be determined. Herbs have the thickness of a trunk. At the end, we don’t know if these images are representations of reality or reconstructions of our memory.
The second process is related to the printing conditions. Rafael chose a silver paper with a metalic render for the cover and a semi-mate paper for the inside, which gives an extra dimension to photographs by the brightnesses and nuances that appear when leafing through the book. Shapes emerge from the fog of our dream. The images are very soft and gray background makes them immaterial, we find it hard to discern the shapes and to recognize them…
To photograph vegetation is not an easy work. You can easily tend to some superficial aesthetics which is only « nice » but without any background spirit. This book is the exact opposite, Rafael has found the perfect distance and appreciation to render the spirit of trees.
That reminds me one of my absolute favorite song :
Come closer and see
See into the trees
Find the girl
If you can…
A Forest, by The Cure, a recommended soundtrack to listen while reading the book !
Shirokuro Edition, softcover book, 32 pages, 13 X 20 cm, digital printing, edition of 60 copies signed and numbered . The book somes with a small print.
More info : http://tanaka-clan.tumblr.com/